Carl Stone (born Carl Joseph Stone, February 10, 1953) is an American composer, primarily working in the field of live electronic music. His works have been performed in the United States, Canada, Europe, Asia, Australia, South America, and the Near East.
Biography
From 1966 to 1969 he formed a band with Z'EV and James Stewart, performing jazz rock. After auditioning for Frank Zappa's Bizarre Records, the band ceased activities and both he and Z'EV went on to attend CalArts.[2][3][4]
Stone utilizes a laptop computer as his primary instrument and his works often feature very slowly developing manipulations of samples of acoustic music, speech, or other sounds. Because of this, as well as his preference for tonal melodic and harmonic materials similar to those used in popular musics, Stone's work has been associated with the movement known as minimalism.
Carl Stone performing at Cité de la Musique, Paris, November 1, 2003
Prior to his settling on the laptop, in the 1980s, he created a number of electronic and collage works utilizing various electronic equipment as well as turntables. Prominent works from this period include Dong Il Jang (1982) and Shibucho (1984), both of which subjected a wide variety of appropriated musical materials (e.g. Okinawan folk song, European Renaissance music, 1960s Motown, etc.) to fragmentation and looping. In this way his work paralleled innovations being made in the early days of rap and hip hop (e.g. Grandmaster Flash, of whose work he was unaware at the time). It was during this period that he began naming many of his works after his favorite restaurants (often Asian ones).
His first residency in Japan, sponsored by the Asian Cultural Council, was from November 1988 to April 1989. While living in Tokyo he collected more than 50 hours of recordings of the city's urban soundscape, which he later used as the basis for his radio composition Kamiya Bar, sponsored by Tokyo FM radio, and released on a CD of the same name by the Italian label NewTone / Robi Droli.
Beginning in the early years of the 21st century, Stone began to compose more frequently for acoustic instruments and ensembles, completing a new work for the San Francisco Bay Area-based American Baroque.
Stone served as president of the American Music Center from 1992 to 1995, and was director of Meet the Composer/California from 1981 to 1997. He also served as music director of KPFK-FM in Los Angeles from 1978 to 1981.
For many years, Stone has divided his time between California and Japan.
Al Noor (2007) – Explorations into the dismantling and re-composition of global song and melody
Nak Won (2002) – Real-time music for laptop computer
Resonator (2002) – Soundtrack for the works of sculptor Seiji Kunishima
Exusiai (1998, released 1999) – Music for contemporary dancer Akira Kasai
em:t 1196 (1996) – The musical part of a three-way collaboration between the composer, dancer Kuniko Kisanuki and sculptor Satoru Shoji
Kamiya Bar (1995) – Excerpts from a sound collage assembled in 1992 from TV commercials and field recordings made in Tokyo in the late 1980s
Mom's (1992)
Four Pieces (1989) – Playful explorations and transformations for Macintosh computer
Wave-Heat (1983) – Piece for digital delay/harmonizer and an LP record; released on audio cassette
Woo Lae Oak (1981, released 1983; re-issued 2008 as a single continuous track) – A concrete symphony for the tremolo of a rubbed string and the tone of a blown bottle
Realistic Monk, (2015–present) collaboration with sound artist Miki Yui
Pict.soul (2000–2001) – Long-distance collaboration with Tetsu Inoue Monogatari: Amino Argot (1994) – Long-distance collaboration with Otomo Yoshihide
Over-Ring-Under (1992) – Soundtrack to a videogame CD-ROM, with visual artist Teckon
Other commissioned works
Luong Hai Ky Mi Gia (2001) – DVD-Audio/Video piece for 5.1 surround sound system; commissioned by Starkland
Sa Rit Gol (1997) – Piece for disklavier and pianist; commissioned by Bay Area Pianists and Cal Performances, as part of the Henry Cowell Centennial Celebration at UC Berkeley
The Noh Project (1996) – A collaboration with choreographer June Watanabe and Noh master Anshin Uchida
Yam Vun Sen (1995) – Network duel piece for the internet; commissioned by NTT as part of IC95 Festival, Tokyo
Sudi Mampir (1995) – Contribution to compilation album "em:t 5595"
Banh Mi So (1994) – Piece for ondes martenot and piano; commissioned by Takashi Harada and Aki Takahashi
Mae Ploy (1994) – Piece for String Quartet and computer accompanist; commissioned by the Strings Plus Festival, Kobe, for the Smith Quartet
Lumpinee (1993) – Installation for computer-operated MIDI system; commissioned by the Museum of Contemporary Art, Los Angeles for the exhibition "John Cage: Rolywholyover: A Circus"
Du Pars (1993) – Soundtrack for interactive laserdisk "L.A. Journal", produced by Voyager
Ruen Pair (1993) – Piece for electronic chamber ensemble; commissioned by the Paul Dresher Ensemble
Rezukuja (1991) – Piece for bass marimba and electronics; commissioned by Sumire Yoshihara
She Gol Jib (1991) – Piece for ryuteki (flute) and electronics; commissioned by Michiko Akao
Recurring Cosmos (1991) – Piece for High Definition video and electronics, including Banteay Srey; commissioned by Sony PCL
Made in Hollywood (1990) – Soundtrack music; commissioned by ZDF Television, Germany
Thonburi (1989) – Part of the radio series "Territory of Art"
Spalding Gray's Map of L.A. (1987) – Soundtrack for videotape produced and directed by Bruce and Norman Yonemoto
Vault (1984) – Soundtrack for videotape produced and directed by Bruce and Norman Yonemoto
Mae Yao (1984) – Piece for live electronics, multiple bagpipes and pipe organ; commissioned by The Art of Spectacle Festival
Se Jong (1983) – Piece for tape; commissioned by the 1984 Olympic Arts Festival as part of the radio series "Sounds In Motion"
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