Clinton Walker is an Australian writer, best known for his works on popular music. He wrote the books Highway to Hell (1994; a biography of Bon Scott), Buried Country (2000), History is Made at Night (2012), and others. He has also written on other subjects, in books such as Football Life (1998) and Golden Miles (2005), and has worked as a journalist.[1]
Early life
Born in Bendigo, Victoria, in 1957, Walker dropped out of art school in Brisbane in the late 70s to start a punk fanzine with Andrew McMillan and to write for student newspapers.[2]
Career
In 1978, Walker moved to Melbourne, where he worked on-air for 3RRR, and with Bruce Milne on the fanzine Pulp and wrote for the fledgling Roadrunner magazine.[3][4]
Moving on to Sydney in 1980, he commenced a career as a freelance journalist, and for many years he wrote for numerous magazines and newspapers, including RAM and Australian Rolling Stone, as well as The Bulletin, The Age, New Woman, Playboy, and Juice.[1]
Books
Walker published his first book, Inner City Sound, in 1981.[5] It documented the emergence of independent Australian punk/post-punk music and quickly fell out of print but was re-released in 2005 in an expanded, updated edition,[6][better source needed] along with an accompanying CD anthology.[7][better source needed]
In 1984, after a couple of years in London, Walker returned to Australia and published his second book, The Next Thing.[citation needed]
Walker then published Stranded: The Secret History of Australian Independent Music 1977-1991 (1996) and Football Life (1998). Stranded was republished in 2021 by the Visible Spectrum in a new updated global edition.[8][better source needed] Des Cowley in his review in Rhythms Magazine said: "Reading Stranded today with a quarter-century’s hindsight, it’s easy to see that Walker mostly got things right. And if he stumbled now and again, it’s still the case he was streaks ahead of the pack."[9]Football Life was similarly a personal history but covered minor-league Australian Rules culture.[citation needed]
Walker's sixth book, Buried Country, a history of Aboriginal country music, was published in 2000, along with an accompanying documentary film and CD soundtrack album. Martin Jones wrote in Rhythms, "Like many of Walker's projects, Buried Country was at least a decade ahead of its time". At a time when Aboriginal music was not established or accepted as a fixture on the broader Australian music scene, Walker's Buried Country was praised as a pioneering, detailed work of music historiography.[citation needed][10][11][12] A new updated edition of the book was released in 2015 along with a rebooted version of the CD called Buried Country 1.5, which received further critical praise.[13][14][15][16][17] A live stageshow adaptation premiered in 2016 and toured for several years in the festival circuit.[18][19][20] In 2018, Australian singer-songwriter Darren Hanlon, in conjunction with Mississippi Records in the US, produced a vinyl iteration of the Buried Country compilation that included new tracks.[21]
In 2005, Walker’s seventh book, Golden Miles: Sex, Speed and the Australian Muscle Car, was published, expanding on an article he published in the Sydney Morning Herald in 2002.[22][better source needed]The Sydney Morning Herald praised the book's design and called Walker "our best chronicler of Australian grassroots culture".[23] It was re-released in 2009 in an expanded and updated edition by Wakefield Press.[24][better source needed]
In 2012, Walker published History is Made at Night about the Australian live music circuit.[25][26] In 2013 he published his ninth book, The Wizard of Oz, about the ill-starred Australian speed ace from the 1920s, Norman 'Wizard' Smith,[27][better source needed] as well as co-producing the CD Silver Roads, an anthology of Australian country-rock from the 1970s.[28][29][better source needed]
Deadly Woman Blues, a graphic history of black women in Australian music, was released in 2018 by a division of academic publisher UNSW Press. Each of 99 biographical entries was accompanied by a hand-drawn illustration by Walker. The book immediately garnered a few glowing reviews.[30][31][32] There was an angry backlash from four of the artists who expressed their displeasure at being included without being spoken to, and citing factual inaccuracies.[33][34][35][36] This led to social media outrage in which Walker was criticized as a racist, misogynist, colonialist privileged white male. The book was withdrawn from sale, with the publisher promising to pulp any unsold copies and never to reprint it.[37] Walker admitted to mistakes and apologised, saying "I didn't try to obscure what I was doing, I didn't take all the appropriate steps. I've been involved in underclass music forever, and in some ways, this is no different, but in other ways, it is very different".[34]
In 2021, Walker released two books, including a new edition of Stranded[8] and a new work, Suburban Songbook.[38][39][40]Suburban Songbook: Writing Hits in post-war/pre-Countdown Australia is a critical history of the early evolution of rock/pop songwriting in Australia.[41]
Walker's twelfth book The Soundtrack from Saturday Night Fever was published in 2023 as part of Bloomsbury's 33 1/3 series of short books on albums.[42][43]
Works
Bibliography
Inner City Sound (Wild & Woolley, 1981; revised and expanded edition, Verse Chorus Press, 2005)
