Newton was born in St. Charles, Virginia, but after being diagnosed with asthma at the age of four, the Newton family moved to Arizona. Newton began drawing at a young age, with comic books being a major influence on his early artwork. He was a big fan of Batman and Daredevil, and an even bigger Captain Marvel fan.[3]
By the mid–1960s, Newton was teaching art in Phoenix and worked part-time as a student art reviewer for the mail order "Master Artist's Painting Course."[4]
Comics fandom
Newton eventually discovered comic book fandom,[5] while searching for a source to purchase old comics. Newton became involved with the Science Fiction and Comics Association (SFCA) and became an artistic staple in the organization's publications. Between 1968 and 1973 he produced almost two dozen covers for the Rocket's Blast Comicollector (RBCC).[4] Newton did not limit himself exclusively to the publications of the SFCA; he also worked for most of the major fanzines during these years. In all Newton’s work appeared in over one hundred fanzines.[6]
Newton did one major strip during this time which ran for more than a year in the RBCC, called "The Savage Earth". Over a period stretching from 1968 to 1970, the science fiction strip appeared in issues 60–70 of the RBCC.[7] Issue #65 of the RBCC sported a Newton "Savage Earth" painting as its cover.
Newton tried for years to leverage his connections in fandom into work at DC Comics or Marvel Comics, but he was at a distinct disadvantage living in Arizona. Marvel in particular wanted their artists close at hand. Newton finally set his sights a little lower and sent some sample pages to Nicola Cuti at Charlton Comics where his first professional comic book work was published.[3]
Charlton Comics
Newton's first work for Charlton appeared in Ghost Manor #18 (May 1974)[8] and would work on Charlton horror books for the next year and half. Besides drawing for the Charlton horror comics, Newton also began painting covers for their horror and romance books.
Don Newton's cover to The Phantom #74 (Jan. 1977) featuring the Phantom of 1776.
Newton’s final issue of The Phantom features the Phantom of 1776 meeting Benjamin Franklin. It has a Phantom cover, the Phantom of 1776, sword in one hand, flintlock pistol in the other in front of a smoky background of the Declaration of Independence and a tattered 13-star American flag.
Newton began his career at DC with DC Special #28 (July 1977).[8] Newton contributed the pencils on an Aquaman strip inked by his old friend Dan Adkins. Newton would draw Aquaman off and on for the next three years. That same month saw the release of Newton's first series at DC, The New Gods #12.[9] Dan Adkins inked most of his work on the New Gods.[7] It was during his tenure on this strip that Newton left his job as a junior high school art teacher to go work full-time as an artist. In the middle of Newton's run on The New Gods, he and David Michelinie co-created the Star Hunters for DC but Newton dropped the feature after drawing two stories.[10]
One of Newton’s lifelong ambitions was to draw Captain Marvel and he fulfilled this desire in 1978 when he was signed as the new penciller for the Shazam! title.[4] He would draw this strip in its own title, as well as in World's Finest Comics and Adventure Comics until October 1982.
Newton began drawing the Batman character beginning with Batman #305 (November 1978), and would draw 79 stories featuring Batman or members of the Batman family during his tenure at DC. Newton and writer Dennis O'Neil co-created the Maxie Zeus character in Detective Comics #483 (April–May 1979).[11] O'Neil and Newton produced the story "The Vengeance Vow" in Detective Comics #485 (Aug.–Sept. 1979) in which the original Batwoman is killed by the League of Assassins.[12]
Marvel Comics
In 1979 Newton returned to Marvel. He wanted to draw Captain America, but that title was unavailable at the time and The Avengers was the closest Marvel could do to fulfilling that request. Newton took the assignment when he was promised Joe Rubinstein as his permanent inker on the book. Newton finished the pencils for only two issues before returning to DC. Those two issues of The Avengers became Avengers Annual #9, half of which was inked by Rubinstein, half by Jack Abel. In 1981 Don Newton again left DC for Marvel. As was the case the first time, better money was one of the factors that pushed him to Marvel. Marvel had other artists, such as Val Mayerik, call Don to entice him into working at Marvel again. Unlike the previous time, Joe Rubinstein was not part of the deal. The Avengers #204 featured inks by Dan Green.
DC again
During the time that Newton was drawing this second attempt at The Avengers book, he was contacted by Paul Levitz who promised him some additional advertising artwork, should Newton return to DC.[7] After the Avengers inking by Green (which he had been unsatisfied with) and again the lack of scheduled work from Marvel, Newton agreed to accept a new contract with DC.
Newton did two issues of Green Lantern in 1982. Both were Green Lantern Corps stories, one of which contained the first appearance of Ch'p, the squirrel-like Green Lantern of H'lven. Two years later Newton returned to Green Lantern in the only DC comics work he inked. In Newton’s obituary, Dick Giordano said of this work, "To my mind, Don's final statement was the Green Lantern Corps story he penciled and inked that appeared in Green Lantern #181. He showed us how to do it right."[13]
He drew the first appearance of Jason Todd in Batman #357 (March 1983),[14] a character who became the second Robin.[15]
Newton had always told DC that the only series he would like to draw other than Batman and Captain Marvel was All-Star Squadron. Editor/writer Roy Thomas tapped into that interest by proposing that Newton draw Infinity, Inc., featuring the children of the original All-Star characters. The first issue scheduled to contain Newton's art was Infinity Inc. #11 featuring a five-page framing sequence by Newton which surrounded a story drawn by George Tuska and Mike Machlan. Newton was to begin penciling the entire book with issue #12, but the letters page in issue #11 told of Newton's death. Newton suffered a massive heart attack in his home, after dealing with months of a debilitating throat ailment. He died three days later on August 19, 1984, in a nearby Mesa hospital.[7]
While Newton was in the hospital in a coma, the first three pages of Infinity Inc. #12 were sent to Thomas. Rubinstein was brought in to ink them and Newton’s Phoenix friend John Clark lettered the pages at Thomas' request. As a final tribute to Newton, Marvel Editor-in-Chief Jim Shooter let Rubinstein out of his contract for a month so that he could ink a fill-in issue Newton had done. It became Infinity Inc. #13 (April 1985). This was Newton's last published original work.[7]
In 2011, DC published Tales of the Batman: Don Newton, a hardcover collection of Newton's Batman stories.[16]
Death
Newton died on August 19, 1984, after suffering a massive heart attack.[17]
^McAvennie, Michael; Dolan, Hannah, ed. (2010). "1970s". DC Comics Year By Year A Visual Chronicle. London, United Kingdom: Dorling Kindersley. p. 171. ISBN978-0-7566-6742-9. The New Gods series and its original numbering was revived after a five-year break, with a story written by Gerry Conway and drawn by Don Newton.{{cite book}}: |first2= has generic name (help)CS1 maint: multiple names: authors list (link)
^McAvennie "1970s" in Dolan, p. 181: "For Detective Comics fortieth anniversary, scribe Denny O'Neil and artist Don Newton told the tale of...mob boss Maxie Zeus - a former Greek mythology-obsessed history teacher, who considered himself a god."
^McAvennie "1970s" in Dolan, p. 183: "It was the League of Assassins' murder of Kathy (Batwoman) Kane that sent Batman out for revenge in a story by scripter Denny O'Neil and artist Don Newton."
^Manning, Matthew K. "1980s" in Dolan, p. 201: "Jason Todd first appeared in a circus scene in the pages of Batman #357, written by Gerry Conway and illustrated by Don Newton."
