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Eduardo González Lanuza (July 11, 1900 - July 17, 1984) was an Argentine poet born in Santander, Spain. One of his best known work is "Poem for Being Recorded in a Phonograph Disc" (1932). He also was part of the Ultraist movement and one of the founders of Prisma and Proa magazines as well as contributor in Martín Fierro magazine.^[1][2]

• Prisms (1924) (poetry)^[2]
• Coven (1927) (short stories)
• While the Clock Strikes Six O'Clock (1931) co-written with Armando Villar (theatre)
• Thirtysome Poems (1932) (poetry)
• Mr. Pulcinella's Walking Stick (1935) (theatre)
• The Cutthroating of the Innocent (1938) (poetry)
• Not Even the Flood (1939) (theatre)
• Handful of Songs (1940) (poetry)
• Passable Glass (1943) (poetry)
• Ode to Joy and Other Poems (1949) (poetry)
• Christmas and Passion Altarpieces (1953) (poetry)
• Sum and Go On (1960) (poetry)
• Christmas Mystery (1966) (theatre)
• Profession of Faith (1970) (poetry)
• Hai-Kais (1977) (poetry)
• The Pimpirigallo and Other Little Birds (1980) (poetry)
• Tunes for Songs (1981)

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