Girl Rising (film)
Girl Rising is a 2013 documentary film produced by Kayce Freed, Tom Yellin and Holly Gordon at The Documentary Group, in partnership with Paul G. Allen and Jody Allen of Vulcan Productions.[1] It was directed by Academy Award nominee Richard E. Robbins and features narration by Anne Hathaway, Cate Blanchett, Selena Gomez, Liam Neeson, Sushmita Sen, Priyanka Chopra, Chloë Grace Moretz, Freida Pinto, Salma Hayek, Meryl Streep, Alicia Keys and Kerry Washington.[2] Background and releaseThe movie tells the stories of nine girls from nine countries: (Sierra Leone, Haiti, Ethiopia, Afghanistan, Peru, Egypt, Nepal, India and Cambodia).[3] Each girl had her story written by a writer from her country and voiced by renowned actors. Their stories reflect their struggles to overcome societal or cultural barriers. The writers are Loung Ung (Cambodia), Edwidge Danticat (Haiti), Manjushree Thapa (Nepal), Mona Eltahawy (Egypt), Maaza Mengiste (Ethiopia), Sooni Taraporevala (India), Maria Arana (Peru), Aminatta Forna (Sierra Leone), Zarghuna Kargar (Afghanistan). The girls' names are Sokha (Cambodia), Wadley (Haiti), Suma (Nepal), Yasmin (Egypt), Azmera (Ethiopia), Ruksana (India), Senna (Peru), Mariama (Sierra Leone) and Amina (Afghanistan). On CNN, director of the film Richard E. Robbins esxplained that
Partial preview of the film and a panel discussion was held at Woodrow Wilson Center in Washington, D.C on February 25, 2013.[5] Girl Rising premiered on CNN International on 22 June, 2013.[6] Critical receptionOn review aggregator website Rotten Tomatoes, the film has a 80% rating, based on 10 reviews, [7] Metacritic reports a 59 out of 100 rating, based on 10 critics, indicating mixed or average reviews.[8] Saudi Garcia from Mic wrote that "The marriage between documentary film and the literary and performing arts culminates beautifully" in the film.[9] Joya Taft-Dick from the same publication wrote that "Poignant and touching, the scenes of the young girls reenacting their stories gave a slight tug at the heart strings, while simultaneously staying away from being overly sentimental, or clichéd" and added that the pairing each girl with a writer from her country "lends a deeper understanding, nuanand authenticity to those stories".[5] Mark Feeney from The Boston Globe was less enthusiastic, criticizing the enactments present in the films and opined that while the film has good intentions, the price of this is that the film "looks and feels like an extended public-service announcement for goodness".[10] Glenn Whipp from Los Angeles Times complimented the stories diversity, but felt that the "film’s re-creations, some involving actors and some the girls themselves, aren’t always successful".[3] References
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