Jo Davidson (March 30, 1883 – January 2, 1952) was an American sculptor. Although he specialized in realistic, intense portraitbusts, Davidson did not require his subjects to formally pose for him; rather, he observed and spoke with them. He worked primarily with clay, while the final products were typically cast in terra-cotta or bronze, or carved from marble.
After returning to the United States, he was befriended by Gertrude Vanderbilt Whitney, who purchased some of his work.
In 1911 Davidson secured his first solo gallery shows. In 1927 he was one of a dozen sculptors invited by the oilman E. W. Marland to compete for a commission for a Pioneer Woman statue in Ponca City.[1] Each was paid a commission to produce a small model, and the dozen works were exhibited in major cities in the US. Davidson did not win the commission.
Among Davidson's commissions are a design for a United States War Industries badge, a collection of pieces for the Government of France to commemorate the first victory of the Troupes de Marine, and bronze busts of the leaders of the First World WarAllies.[2] His portraits of world leaders and celebrated figures gained him international acclaim. He created statues of oilman and future governor E. W. Marland and his two adoptive grown children.
PCA struggled during tensions of the Cold War, with its members under suspicion by the House Un-American Activities Committee (HUAC) for leftist leanings. It worked for racial equality, economic justice and civil liberties. Important segments of the PCA became the base for Henry A. Wallace's candidacy for U.S. President in 1948 on the Progressive Party ticket.
Armstrong, Craven et al., 220 Years of American Sculpture, Whitney Museum of Art & David R. Goodine, Publisher, NY 1976
Compilation of Works of Art and Other Objects in the United States Capitol, Prepared by the Architect of the Capitol under the Direction of the Joint Committee on the Library, United States Government Printing Office, Washington D.C. 1965
Connor, Janis and Joel Rosenkranz, photographs by David Finn, Rediscoveries in American Sculpture: Studio Works, 1893 - 1939, University of Texas Press, Austin TX 1989
Craven, Wayne, Sculpture in America: From the Colonial Period to the Present, Thomas Y, Crowell Company, NY 1968
Davidson, Jo, Between Sittings: an informal autobiography, The Dial Press, NY 1951