Kate Fanny Loder, later Lady Thompson, (21 August 1825 – 30 August 1904) was an English composer and pianist.[1]
Biography
Ancestry
Kate Loder was born on 21 August 1825,[1] on Bathwick Street, Bathwick,[2] within Bath, Somerset where the Loder family were prominent musicians. Her father was the flautist George Loder. According to Grove, her mother was a piano teacher born Fanny Philpot, who was the sister of the pianist Lucy Anderson.[3] However, genealogical research suggests Kate's mother was Frances Elizabeth Mary Kirkham (1802–50),[4] daughter of Thomas Bulman Kirkham (1778–1845) and Marianne Beville Moore (c.1781 – 1810).[2] Frances Kirkham's step-mother was Jane Harriett Philpot (1802–63), second wife to Thomas Bulman Kirkham and sister of the Lucy Philpot who married the violinist George Frederick Anderson, becoming Lucy Anderson.[5][6][7] Kate was also the sister of conductor and composer George Loder,[1] and the cousin of composer Edward Loder.[8]
Royal Academy of Music
Kate Loder studied at the Royal Academy of Music in London. Her performance of Mendelssohn's G minor piano concerto at the Hanover-square Rooms on 27 May 1843, when she was aged 17, may have been her public debut.[9] The following year, in 1844, aged just 18, she became the first female professor of harmony at the Royal Academy.[10][11][12]
Marriage
On 16 December 1851 at St Marylebone Church, Westminster, she married the eminent surgeon Henry Thompson (Kt. 1867. Bt. 1899, 'of Wimpole Street').[13] After her marriage she gradually gave up her public performing career, the last public appearance being in March 1854.[14] However, she remained active in music as a composer and professor at the Royal Academy of Music. Among here many pupils was Sarah Louisa Kilpack[15] who nowadays is better known as an artist.
Kate Loder had three children from her marriage:[16]
Kate Mary Margaret Thompson (1856–1942), author of Handbook to the Public Picture Galleries of Europe (1877); married Rev. Henry William Watkins.
On 10 July 1871,[19] the first British performance of the German Requiem of Johannes Brahms took place privately at Loder's home, 35 Wimpole Street, London. It was performed using a version for piano duet accompaniment which became known as the "London Version" (German: Londoner Fassnung) of the Requiem.[20] Brahms based it on an 1866 arrangement for piano of his first, six-movement version of the Requiem.[21] The pianists were Kate Loder and Cipriani Potter (who was then 79 years old; he died that September).[19]
Six Easy Voluntaries. Set 1. (London: Novello, 1889)
Six Easy Voluntaries. Set 2. (London: Novello, 1891) – "for the most part fresh and genial in character ... somewhat suggestive of Spohr in the numerous chromatic progressions."[24][25]
^Find My Past: Bath Chronicle and Weekly Gazette 4 September 1823: Mr. Geo. Loder, professor of music, of this city, to Frances, eldest daughter of Mr. Kirkham, of Pulteney-street.
^Find My Past: Bath Chronicle and Weekly Gazette 7 December 1820: Married. Mr. Thomas Kirkham, of Pulteney-street, to Jane, daughter of Mr. Philpott, of Bennett-street.
^Find My Past: Bath Chronicle and Weekly Gazette 20 August 1863: 13 Aug., in this city, Jane Harriet Kirkham, widow of Thomas Bullman Kirkham, Esq., and sister of Mrs. Anderson, Nottingham-place, Regent's-park, London.
^ abBurton, Nigel; Temperley, Nicholas (1994). "Loder, Kate (Fanny) (b. Bath 21 August 1825 d. Headley, Surrey 30 August 1904)". In Sadie, Julie Anne; Samuel, Rhian (eds.). New Grove Dictionary of Women Composers. London: Macmillan. p. 285. ISBN0-333-51598-6.
^Therese Ellsworth (2016). ‘A Magnificent Musician: The Career of Kate Fanny Loder (1825–1904)’ in Musicians of Bath and Beyond: Edward Loder (1809-1865) and His Family. Nicholas Temperley (ed). (Martlesham : Boydell Press) 167–90.
^
Middleton, L., & Golby, D. (2004, September 23). `Loder, George (1816–1868), conductor and composer pianist and composer`. Oxford Dictionary of National Biography. Online resource, accessed 7 October 2024.
^ abMusgrave, Michael (1987). Brahms 2: Biographical, Documentary, and Analytical Studies. Vol. 2. Cambridge: Cambridge University Press. p. 6. ISBN0-521-32606-0.
^Ballchin, Robert, ed. (1983). "Loder, afterwards Thompson (Kate Fanny), Lady". Catalogue of Printed Music in the British Library to 1980. Vol. 36. London: K. G. Saur. p. 87. ISBN0-86291-333-0.