Le quattro volte
Le quattro volte (English: "The Four Times") is an Italian film made in 2010. It depicts the concept of metempsychosis taking place in the remote mountain town of Caulonia, in southern Italy.[2][3] PlotThe film comprises four phases, or "turns", following Pythagoras.[4] The turning of the phases occurs in Calabria where Pythagoras had his sect in Crotone. Pythagoras claimed he had lived four lives and this with his notion of metempsychosis is the structure of the film showing one phase and then turning into another phase. A famous anecdote is that Pythagoras heard the cry of his dead friend in the bark of a dog.[5]
The fire and smoke point to carbon at the heart of the homes in the village delivered by the truck evoking human reason as the final understanding of the interaction of these turns and the true place of the human in the scheme of things. The smoke becomes dust, falling out from the chimneys at the end of the movie and down into the houses, street and back into the church. This is where the goatherd is seen trading milk for blessed dust for his nightly drinks, right at the beginning of the movie. ProductionThere is virtually no dialogue in the film. The film was written and directed by Michelangelo Frammartino[6] and stars Giuseppe Fuda, Bruno Timpano, Nazareno Timpano and Artemio Vellone.[7] ReceptionCritical responseOn Rotten Tomatoes the film has an approval rating of 93% based on 54 reviews, with an average rating of 8.1/10. The site's the consensus states "Birth, death, and transformation are examined in Le quattro volte, a profound and often funny meditation on the cycles of life on earth."[8] On Metacritic, the film has a weighted average score of 80 out of 100, based on 16 reviews, indicating "generally favorable reviews".[9] Jonathan Romney, writing in The Independent on Sunday, described Le quattro volte as "both magnificent and magnificently economical," remarking "I like to think that it's possible for cinema to make profound cosmological statements without having to go all Cecil B. DeMille." Romney finds the film "the freshest and the deepest film I've encountered in a while," and "one of those rare films that anyone could enjoy, whether or not they normally care for slow Italian art cinema."[3] Accolades
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