American art historian
Mark Tribe (born 1966) is an American artist .[ 1] Rhizome , a not-for-profit arts organization based in New York City .[ 2]
In 2013, he was appointed chair of the MFA program of the School of Visual Arts in New York City .[ 3] Brown University ,[ 4] Columbia University School of the Arts , and Visiting Assistant Professor and Artist in Residence at Williams College .[ 5] The Port Huron Project: Reenactments of Historic Protest Speeches [ 6] New Media Art (Taschen , 2006).[ 7] University of California, San Diego in La Jolla , California in 1994 and an BA in Visual Art from Brown University in 1990.[ 8]
Work
Tribe's drawings, performances, installations and photographs often deal with social and political issues.[ 6] Corcoran Gallery of Art in Washington, D.C.;[ 9] Momenta Art in Brooklyn, New York;[ 10] Los Angeles Contemporary Exhibitions (LACE) in Los Angeles, California;[ 11] [ 12] New Museum in New York City ;,[ 13] Queens Museum in New York City ;[ 14] Palais de Tokyo in Paris ;[ 12] Menil Collection in Houston ;[ 15] Centre Georges Pompidou in Paris;[ 16] SITE Santa Fe in Santa Fe, New Mexico;[ 17] San Diego Museum of Art in San Diego, California;[ 18] Museo de Antioquia in Medellin, Colombia;[ 19] Montclair Art Museum in Montclair, New Jersey;[ 20] DeCordova Museum and Sculpture Park in Lincoln, Massachusetts.[ 21]
In 1996, Tribe founded Rhizome, a not-for-profit arts organization that supports and provides a platform for new media art.[ 22] New Museum of Contemporary Art in New York City, the Massachusetts Museum of Contemporary Art and inSite_05 in San Diego, California and Tijuana, Mexico.[ 23]
External links
References
^ Bryan-Wilson, Julia (January 2008). "Sounding the fury: Julia Bryan-Wilson on Kirsten Forkert and Mark Tribe" . Artforum International . Retrieved August 28, 2011 . ^ Mirapaul, Matthew (April 2, 1998). "Art Site Takes Plunge Into Not-for-Profitability" . The New York Times . Retrieved August 28, 2011 . ^ "SVA announces appointments of Steven Henry Madoff, Mark Tribe and New MA in Curatorial Practice | Art & Education" . Art & Education . Retrieved 2016-09-23 .^ Kennedy, Randy (July 28, 2007). "Giving New Life to Protests of Yore" . The New York Times . Retrieved August 28, 2011 . ^ "Mark Tribe Will Chair Fine Arts MFA at SVA - News - Art in America" . www.artinamericamagazine.com . 2013-08-29. Retrieved 2016-09-23 .^ a b "Charta Art Books - Mark Tribe" . Retrieved 4 July 2012 .^ "New Media Art" . Retrieved 4 July 2012 .^ "Mark Tribe | P.S.1 Studio Visit" . momaps1.org . Archived from the original on 2018-03-15. Retrieved 2016-09-24 .^ "Mark Tribe's "Plein Air" at the Corcoran, Reviewed" . 25 July 2014. Retrieved 2016-09-23 .^ "Mark Tribe - Reviews - Art in America" . www.artinamericamagazine.com . 2012-10-03. Retrieved 2016-09-23 .^ "Port Huron Project videos on view at LACE" . LA Times Blogs - Culture Monster . 2009-10-20. Retrieved 2016-09-23 .^ a b "Chelsea Knight and Mark Tribe - Posse Comitatus" . 9 December 2014. Retrieved 2016-09-23 .^ Connor, Michael (2019). "The Art Happens Here: Net Art's Archival Poetics" www.newmuseum.org
^ Ruiz, Alan (2016). "Uneven Development: On Beirut and Plein Air" . www.queensmuseum.org . ^ "Mark Tribe: The Port Huron Project" . aurorapictureshow.org . Retrieved 2016-09-23 .^ "Que faire ? Art, film, politique | Dario Azzellini" . www.azzellini.net . Retrieved 2016-09-23 .^ Armitage, Diane (2011). "Agitated Histories". THE Magazine . ^ "Summer Salon Series 2012: Beyond the Banner, New Contemporaries V and Sounds of Jazz Loft" . 2012-06-06. Retrieved 2016-09-24 .^ Malone, Micah (9 November 2011). "MDE11 at Museo di Antioquia" . Retrieved 2016-09-24 . ^ Tim, Maul (2015-05-01). "Come as You Are: Art of the 1990s" . Afterimage . 42 (6). ISSN 0300-7472 . ^ Davis, Mark (2010). "A Dense Web: The 2010 DeCordova Biennial". Artscope . ^ Wolf Lieser. Digital Art . Langenscheidt: h.f. ullmann. 2009. pp 146-147
^ Taylor, Claire (2014). Place and Politics in Latin American Digital Culture: Location and Latin American Net Art . New York: Routledge. pp. 125– 126. ISBN 978-0415730402
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