Paul Arditti is a British sound designer, working mostly in the UK and the US. He specialises in sound for theatre musicals and plays. He has won awards for his work including a Tony Award, two Olivier Awards, three Drama Desk Awards and a BroadwayWorld.com Fans' Choice Award.
In the UK, he has designed sound at the National Theatre, Donmar Warehouse, Bridge Theatre, Royal Shakespeare Company, Royal Court Theatre, Almeida Theatre, Young Vic Theatre, and in the West End, as well as many regional theatres.
In September 2015 Paul was appointed an Associate Director at the National Theatre.
In the US, he has designed sound for many Broadway and off-Broadway productions, as well as in other New York venues such as St Ann’s Warehouse, New York Theatre Workshop, Brooklyn Academy of Music, and Lincoln Center.
Paul studied Drama and English at The University of Hull, graduating in 1983.
London work (selected)
Brace Brace (2024) directed by Daniel Raggett, Royal Court Theatre Upstairs, London
Stranger Things: The First Shadow (2023) directed by Stephen Daldry and Justin Martin, Phoenix Theatre, London
The Odyssey: Part 5 The Underworld (2023) directed by Emily Lim, National Theatre, London
The Motive And The Cue(2023) directed by Sam Mendes, National Theatre, London and Noel Coward Theatre, London
Guys and Dolls (2023) directed by Nicholas Hytner, Bridge Theatre, London
The Crucible (2022) directed by Lyndsey Turner, sound co-designed with Tingying Dong, Olivier Theatre, London
Jack Absolute Flies Again (2022) directed by Emily Burns, Olivier Theatre, London
Our Generation (2022) directed by Daniel Evans, Minerva Theatre, Chichester, Dorfman Theatre, London
La Belle Sauvage - The Book Of Dust (2021) directed by Nicholas Hytner, Bridge Theatre, London
Caroline, Or Change (2018-2021) directed by Michael Longhurst, Minerva Theatre, Chichester, Hampstead Theatre, Playhouse Theatre, London
Dick Whittington (2020) directed by Ned Bennett, Olivier Theatre, London
The Visit (2020) directed by Jeremy Herrin Olivier Theatre, London
A Very Expensive Poison (2019) directed by John Crowley, Old Vic, London
Tree (2019) directed by Kwame Kwei-Armah, Young Vic, London, Manchester International Festival
A Midsummer Night's Dream (2019), directed by Nicholas Hytner, Bridge Theatre, London
Rutherford and Son (2019), directed by Polly Findlay, Lyttelton Theatre, London
Shipwreck (2019) directed by Rupert Goold, Almeida Theatre, London
The Inheritance (2018) directed by Stephen Daldry, Young Vic Theatre, Noel Coward Theatre, London, co-sound-designed with Christopher Reid
Pericles (2018) a musical version by Chris Bush and Jim Fortune directed by Emily Lim, Olivier Theatre, London
The Prime of Miss Jean Brodie (2018), directed by Polly Findlay, Donmar Warehouse, London
Absolute Hell (2018) directed by Joe Hill-Gibbins, National Theatre, London
Macbeth (2018), directed by Rufus Norris, National Theatre, London
Mary Stuart (2018), directed by Robert Icke, Almeida Theatre, Duke of York’s Theatre, London
Amadeus (2017 - 2018) featuring the Southbank Sinfonia, directed by Michael Longhurst, Olivier Theatre, London
Beginning (2018) directed by Polly Findlay, Dorman Theatre, Ambassadors Theatre, London
Julius Caesar (2018) directed by Nicholas Hytner, Bridge Theatre, London
The Jungle (2017) directed by Stephen Daldry and Justin Martin, Young Vic Theatre, London
Young Marx (2017) directed by Nicholas Hytner, Bridge Theatre, London
Labour Of Love (2017) directed Jeremy Herrin, Noel Coward Theatre, London
Hamlet (2017) directed by Kenneth Branagh, RADA, London
Mosquitoes (2017) directed by Rufus Norris, National Theatre, London
Betrayal (2017) directed by Lekan Lawal, Derby Theatre
A Midsummer Night’s Dream (2017) directed by Joe Hill-Gibbins, Young Vic, London
The Glass Menagerie (2017), directed by John Tiffany, Duke of York’s Theatre, London
Mary Stuart (2016) directed by Robert Icke, Almeida Theatre, London
The Emperor (2016), directed by Walter Meierjohann, Maria Theatre, Young Vic, London & HOME, Manchester
The Threepenny Opera (2016) directed by Rufus Norris, Olivier Theatre, London
If You Kiss Me Kiss Me (2016) directed by Aletta Collins, Young Vic Theatre, London
Red Velvet (2014-2016) directed by Indhu Rubasingham, Tricycle Theatre, London and St Ann’s Warehouse, Brooklyn, New York, Garrick Theatre, London
Ma Rainey’s Black Bottom (2016) directed by Dominic Cooke, Lyttelton Theatre, London
Billy Elliot The Musical: Tony Award for Best Sound Design 2009, Olivier Award for Best Sound Design 2006,[17] Helpmann Award (Australia) nomination for Best Sound Design 2008, Drama Desk Award for Best Sound Design, Broadwayworld.com Fan's Choice Award for Best Sound Design