Paul Zumthor, CQ (5 August 1915 – 11 January 1995)[1][2] was a medievalist, literary historian, and linguist. He was a Swiss from Geneva.
Biography
He studied in Paris with Gustave Cohen and worked on French etymology with Walther von Wartburg.[3] In studying medieval French poetry, he formulated the concept of mouvance (variability).[4][5] He also emphasised "vocality" in medieval poetry, the place of the human voice.[6]
Within J. M. Coetzee's novel Elizabeth Costello, Zumthor is quoted at length by a character Emmanuel Egudu. Coetzee describes Zumthor as "a man from the snowy wastes of Canada, the great scholar of orality Paul Zumthor."[8]
Works
Merlin le prophète. Un thème de la littérature polémique, de l'historiographie et des romans (1943)
Antigone ou l'espérance. (1945)
Victor Hugo poète de Satan (1946)
Saint Bernard de Clairvaux (1947) with Albert Béguin
Positions actuelles de la linguistique et de l'histoire littéraire (1948)
Lettres de Héloïse et Abélard (1950)
Abréviations composées (1951)
L'Inventio dans la poésie française archaïque (1952)
Miroirs de l'Amour. Tragédie et Préciosité (1952)
Histoire littéraire de la France médiévale (VIe-XIVe siècles). (1954)
^What is mouvance?; Cynthia J. Brown, "Variance and Late Medieval Mouvance: Reading an Edition of Georges Chastellain's 'Louange à la tresglorieuse Vierge,' in: Translation, Transformation, and Transubstantiation, ed. Carol Poster and Richard Utz (Evanston: IL: Northwestern University Press, 1998), pp. 123-75."
^Leslie C. Dunn, Nancy A. Jones, Embodied Voices: Representing Female Vocality in Western Culture (1994), p. 2.