In his review on AllMusic, Stewart Mason states "Most of Houston Person's late-'90s albums are interchangeable collections of standards recorded with a small combo (the rhythm section led by either a piano or an organ, depending on Person's whim) and featuring Person's sterling tenor saxophone solos on top of a conservative backing. 1997's Person-ified is one of the string, but it's more interesting than some due to a slightly more adventurous taste in song selection. The track listing still leans heavily toward standards, but this time, Person has reached a bit deeper than usual into the great songbooks, coming up with somewhat less-obvious choices ... His backing combo is fairly anonymous, but never simply dull, and even at that, it means that Person's remarkable, underrated tenor playing is always front and center. Not bad at all"[4]
