Powerlight was produced by EWF leader Maurice White. According to White the LP's title has to do with "the chakras -- the centers of the body that connect us with cosmic power." Artists such as Robert Greenidge, Maxayn Lewis and Zakir Hussain also appeared on the album.[4]
Robert Palmer of The New York Times noted "Mr. (Milton) Nascimento, and Brazilian pop in general, combine African-derived rhythms that tend to be more flowing and buoyant than their North American funk counterparts with a melodious pop lyricism based on relatively complex, jazzy harmonies, and Maurice White has done something very similar on Earth, Wind and Fire's Powerlight album."[15]Vanity Fair found that "Earth, Wind & Fire's oddysey of uplift, Powerlight is, impossible as it may seem, even more relentlessly cheerful than its predecessor Raise!, a concoction designed to do precisely that to listeners' spirit".[16]Tony Prince of the Daily Mirror called Powerlight the album of the week exclaiming "The worst you can say about Earth, Wind & Fire are their high standards of arrangements are predictable. They just can't get any better!"[17]Robert Christgau of The Village Voice proclaimed with an A− grade that "Their sonic affluence and showtime groove encompass whispering strings no less perfect than their JB guitar beats, Funkafunnies harmonies no less schmaltzy than their Lionel Richie homages, and when the synthesis is this catchy it's the best argument for universalism they'll ever make."[14] Craig Lytle of AllMusic in a four out of 5 star review found "Many groups lose the steam that propelled them to the top; Earth, Wind & Fire, contemporary sound and all, were still blazing when this album was released." Lytle continued saying "Throughout the entire album, White's unifying message is fueled by the aggressive rhythms and relaxing melodies."[8] Connie Johnson of the Los Angeles Times wrote that Powerlight "does show why EWF is one of the masters of studio pop." Johnson added that "EWF mostly keeps the rhetoric in check focusing instead on assertive rockers that give everyone in this nine-member unit a chance to flex his muscles There is less cosmic emphasis but the EWF formula—heavy on the richly textured vocals horns and rhythm—is still intact. And surprisingly still fresh."[18][19]
With a 3 out of 5 stars rating, Ken Tucker of The Philadelphia Inquirer wrote "Earth, Wind and Fire's new collection of Utopian funk, "Powerlight" (Columbia), has a glossy sheen that manages to coat even the banal songs with a pretty surface that's pleasing."[10] Rick Shefchik of Knight Ridder in a 7/10 review wrote, "The title suggests a further descent into hip spiritualism, but the record itself has all the elements of E,W&F's best work - punchy horns, clean riffs, hard dance rhythms and soaring group vocals."[9]
Chip Stern of Musician claimed "Powerlight stands both as a testament to White's absolute mastery of production and EW&F's renewed vigour as a band."[20]Dave Marsh gave Powerlight 4 out of 5 stars and claimed that it's mostly "notable for the power of the playing."[21]David Hepworth of Smash Hits gave the album an 8/10 rating and declared EWF are "firing on all cylinders." Hepworth added "They weld their massive sound together with such precision that their whole ensemble can provide a rhythm as spare and compulsive as a snapping finger, they write production numbers instead of songs and never allow the momentum to flag for a second, they're soppy as hell and, when they produce records like 'Powerlight', there's absolutely nothing wrong with that".[12] Hugh Wyatt of the New York Daily News found "Earth, Wind & Fire gives new meaning to the word classy, and I like it".[22]
Issac Hayes called Powerlight one of Earth, Wind & Fire's five essential recordings.[23]Powerlight was also placed by music critic Robert Christgau of The Village Voice at No. 36 on his dean's list of 1983.[24]
Ronald Cooper, Larry Corbett, Douglas Davis, Suzie Katayama, Earl Madison and Frederick Seykora – cello
Arni Egilsson – double bass
Dorothy Remsen – harp
Rollice Dale, Alan Deveritch, Pamela Goldsmith, Allan Harshman, Roland Kato, Milton Kestenbaum, Carole Mukogawa, David Schwartz, Joel Soultanian and Linn Subotnick – viola
Brenton Banks, Myer Bello, Arnold Belnick, Harry Bluestone, Nicole Bush, Ron Clark, Bill Hybel, Anatol Kaminsky, George Kast, Janet Lakatos, Robert Lipsett, Karen Jones, Stanley Plummer, Nathan Ross, Bob Sanov, Sheldon Sanov, Haim Shtrum, Marshall Sosson, Robert Sushel, Pam Tompkins, Miwako Watanabe and Shari Zippert – violin
