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Ulysses' Gaze
Ulysses' Gaze (Greek: Το βλέμμα του Οδυσσέα, translit. To Vlemma tou Odyssea) is a 1995 internationally co-produced war drama film directed by Theo Angelopoulos, loosely based on Homer's epic poem Odyssey, and starring Harvey Keitel, Maia Morgenstern and Erland Josephson. The film was selected as the Greek entry for the Best Foreign Language Film at the 68th Academy Awards but it was not nominated.[1][2] PlotSuccessful Greek filmmaker, A (Harvey Keitel), returns to Greece. He has come to participate in a screening of one of his earlier films and to begin a personal journey across the Balkans. After the screening is disrupted by local ideological conflict, A takes a taxi from Greece to Albania. Ostensibly A is searching for 3 undeveloped reels of film shot by the Manaki brothers. The mysterious reels could predate the brother's first film, The Weavers, which is believed to be the first film shot in the Balkans. A's journey fuses his own memories, the experiences of the Manaki brothers, and contemporary images of the Balkans. A drifts from Albania to North Macedonia, Bulgaria, Romania and Serbia. He travels on a train, a barge laden with a statue of Lenin (Polyphemus) and eventually a row boat. Though A makes some acquaintances along the way, he never lingers. His search for the roots of cinema, memory, and the Balkan identity pull him inevitably towards decay and death. A eventually travels to the besieged Sarajevo. He meets Ivo Levy (Erland Josephson), the curator of an underground cinema archive who had attempted to develop the missing reels before the war. A convinces Levy to continue his work with the reels. The film ends on a rare foggy day in Sarajevo. Ironically the fog protects locals from snipers and gives the city a rare chance to flourish. A explores the city with Levy's family. Near the river the family encounters military personnel and they are executed. Cast
ProductionUlysses' Gaze is part of Angelopoulos' trilogy on borders, his first film made outside of Greece. The film shown at the beginning was inspired by a screening of Angelopoulos' earlier The Suspended Step of the Stork. The dialog played over loudspeakers in the town square was spoken by Marcello Mastroianni.[3] Gian Maria Volonté died during filming, and was replaced by Erland Josephson. The film is dedicated to Volonté's memory. MusicEleni Karaindrou composed the film score, which was released through ECM in 1995.[4] Featuring:
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