Vigilante Force
Vigilante Force is a 1976 American action film directed by George Armitage and starring Kris Kristofferson and Jan-Michael Vincent. The plot concerns a Vietnam War veteran and his buddies, who are hired by his brother and others in a small California town for protection from rowdy oil-field workers. Tagline
PlotWhen a small California town is overrun with unruly and rowdy behavior from oil-field workers, Ben Arnold (Jan-Michael Vincent), one of the locals, and the brother of Aaron (Kris Kristofferson), a Vietnam War veteran, is hired to assist the police in restoring the peace. Aaron hires mercenaries trained in combat to help. After controlling the oil field workers, the veterans take over the town for their own not-always-legal purposes. Confrontation between the town police and locals and the mercenaries ends in violence. Cast
ProductionThe film was directed by George Armitage, who says producer Gene Corman came to him with just the title.[1] Armitage credits the quality of the stunts to Buddy Joe Hooker, stuntman.
Armitage says Jan Michael Vincent's character Ben Arnold was named after Benedict Arnold, Kris Kristofferson's character Aaron was named after Aaron Burr and Judson Prett's Harry Lee was Lighthorse Harry Lee:
The production designer was Jack Fisk. "We had absolutely no money, no budget, but Jack did extraordinary things—and Sissy Spacek was our assistant art director on that," said Armitage.[1] Armitage says that once Kris Kristofferson agreed to do the film "everybody else followed. Bernadette [Peters] wanted to work with him, Victoria [Principal], and Jan-Michael came over ... It was a good shoot, but it was rough. It was 30 days, it was 108 degrees in the Simi Valley, so a lot of it was tough to do. But we worked through it, finished on time and under budget."[1] ReceptionThe Timeout review noted that the film was an "awkward combination of cheapo war and cowboy comics ...", but that "Kristofferson ... shuffles through quite convincingly ..." and "... Bernadette Peters plays an ill-treated, down-at-heel, after-hours singer with real style."[2] According to Contemporary North American Film Directors, the plot was a not-too-subtle satire on the American way. The studio disliked the film and it was a commercial failure.[3] On Rotten Tomatoes the film has a score of 20% based on 5 reviews.[4] The websites Letterboxd and The Grindhouse Database list this movie as belonging to the vetsploitation subgenre.[5][6] References
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