Bowers & Wilkins
Bowers & Wilkins, commonly known as B&W, is a British company that produces consumer and professional loudspeakers and headphones.[1] The company was founded in 1966 in Worthing, West Sussex, England.[2] In October 2020, it was acquired by Sound United, a holding company who owns several other audio brands.[3] HistoryEarly yearsBowers & Wilkins began as a radio and electronics shop in Worthing. It was started after World War II by John Bowers & Roy Wilkins, who had met while serving in the Royal Corps of Signals during the war.[4] The shop expanded to include televisions retail, a rentals business and a service department run by Peter Hayward. When the shop began supplying public address equipment to schools and churches in Sussex, Bowers became increasingly involved in the design and assembly of loudspeakers, eventually setting up a small production line in workshops behind the shop. 1960sIn 1966, Bowers founded a separate company, B&W Loudspeakers Ltd., marking a shift away from his involvement with the original shop. The first production line for B&W Loudspeakers was set up in workshops located in the shop's backyard. Remarkably, the shop still operates today, with remnants of the original production line visible as a nod to its history. The shop is now owned and managed by Roy's son, Paul Wilkins, who, along with Chris Hugill, previously ran B&W Loudspeakers UK Ltd., the company's UK distribution arm. They also oversaw the distribution of the Aura range of electronics and Nakamichi compact cassette decks in the UK. [5] The 1967 P1 was the first commercial speaker from B&W. The cabinet and filter were B&W's own, but the drivers came from EMI and Celestion. The profits of the P1 allowed Bowers to purchase a Radiometer Oscillator and Pen Recorder, allowing for calibration certificates for every speaker sold.[6] In 1968, Audioscript in the Netherlands became the first international distributor appointed.[7] The DM1 (Domestic Monitor) and DM3 were introduced. Dennis Ward (a former technical manager at EMI) became a member of the board in 1969. 1970sIn 1970, the ionovac-tweeter equipped P2 speakers were produced.[8] They were also licensed by Sony and rebadged in Worthing to be distributed in Japan.[9] The company decided to develop a loudspeaker wholly built in-house. The sizeable DM70 from 1970 combined electrostatic mid- and high range on top of a traditional bass unit. In 1972 a new production facility was opened in Meadow Road, Worthing. Housing anechoic chambers and extensive Bruel & Kjaer measurement equipment, the research team investigated phase linearity and speaker cone construction using laser interferometry.[10] 1972 also saw the introduction of the DM2, a three unit system, consisting of an 8-inch bass/mid-range speaker rear loaded with an acoustic line, a Celestion HF1300 tweeter, and a super tweeter. B&W was recognized with the Queen's Award for Export in 1973 and developed program content monitors for the BBC. In 1974, Kenneth Grange of Pentagram joined as an industrial designer. The 1976 DM6 loudspeaker incorporated Kevlar cones and introduced updates to filter and enclosure design. That same year, the company opened its Steyning research facility and added a PDP11/35 computer, utilizing a building previously owned by SME Ltd. In 1977, the DM7 loudspeaker featured a tweeter positioned separately from the main cabinet and included a passive radiator. Exports grew significantly between 1973 and 1978, leading to a second Queen's Award for Export. The 801 loudspeaker, introduced in 1979 after three years of development, highlighted advancements in audio engineering. 1980sResearch into amplifiers and active filters leads to the Active One loudspeaker, branded under the name of John Bowers in 1984. Laurence Dickie was hired as an amplifier designer. Dickie developed the idea of a 'matrix' construction, after initial inspiration of Aerolam being used by Celestion. Dickie's reasoning was to extend the structure of Aerolam to fill the entire cabinet. He presented his ideas to John Bowers and it was tested by the research team and found to have significant qualities in reducing loudspeaker cabinet colouration. A new range with this 'Matrix' culminated into the first 'Matrix 1,2 and 3' loudspeakers, to much acclaim. The 800 loudspeaker range was improved into matrix versions with its very rigid cabinet construction in 1987.[11] In December 1987 Bowers died. Robert Trunz took leadership of the company and asked Dickie to independently complete the work of John Bowers, who was researching a way of producing a speaker with zero cabinet effect. This ultimately became the 'Nautilus' Loudspeaker premiered in its prototype form in 1991. Also in 1987, John Dibb joined the company, later to become responsible for many speaker designs, notably several signature models. Dibb's 1987 'Concept 90' CM1 loudspeaker was the first B&W speaker with a plastic moulded matrix cabinet. 1990sSilver Signature loudspeaker was launched to commemorate the company's 25th anniversary as well as the introduction to 'Project Nautilus'. Increasing demand led to by opening an additional production site at Silverdale, Worthing, West Sussex in 1992. The 1993 'Nautilus' Loudspeaker was officially launched and still remains the company's flagship product.[12] December 20th 1996 Robert Trunz completed the sale of his shares and Joe Atkins took control of Bowers and Wilkins. In 1998 Laurence Dickie left the company while some of his Nautilus technology was introduced in the somewhat more affordable Nautilus 800 series. 2000sIn 2002 B&W moved its Worthing production, warehousing, and head office to a new £7 million location on a former landfill site in Dale Road, Worthing. A second plant was built in Bradford.[13] B&W took over its production factory for cabinets in Agerbæk, Denmark in 2003. In the same year, the Bradford location was left for new premises in Cleckheaton, West Yorkshire. In 2005, Bowers & Wilkins replaced its top-of-the-line N800 range with the new 800D range. The most publicized change was the introduction of diamond dome tweeters on some models[14] 2005 also saw B&W receive the Queen's Award for Innovation for the tube-loaded drivers on the 800s.[15] The EISA Award for European High-End Audio Component of the Year is awarded to the 603. The PV1 receives the European Home Theatre Subwoofer of the year 2005–2006 award. The XT series introduced aluminium as a speaker cabinet material. In 2007 the 'Zeppelin' iPod speaker system was introduced. That same year, Bowers & Wilkins' released the project the Society of Sound, an online community focused on issues and discussions relating to high-quality sound. The Society of Sound has many celebrity "Fellows", who contribute material. Fellows include Peter Gabriel, film composer James Howard, musician Dave Stewart, jazz singer Cassandra Wilson, and industrial designer Kenneth Grange.[16] In 2008, the "Jaguar XF Audio System" was introduced, a car audio setup with 14 speakers and a powered 440 Watt Class AB DSP amplifier. In May 2008, Bowers and Wilkins started the Bowers & Wilkins Music Club, now known as the Society of Sound, returning the company into the music business. The Society of Sound is a subscription-based music retail site. Albums are currently available in either Apple Lossless or Flac format. The site is a partnership with Peter Gabriel's Real World Studios, and artists to be featured have been Little Axe, Cara Dillon, Gwyneth Herbert, and Portico Quartet.[17] Former Suede frontman Brett Anderson had his solo album Wilderness released through the Society of Sound before being available for retail.[18] 2010sIn May 2016, Bowers & Wilkins was bought by Eva Automation, a company founded two years prior by Gideon Yu.[19] In October 2017 Bowers & Wilkins became the official headphones and loudspeaker partner of Abbey Road Studios.[20] 2020sIn October 2020 Sound United LLC acquired Bowers & Wilkins.[21] Technology, research and developmentResearch and development was a focus for the company, especially to its founder John Bowers (1922–1987).[22] In 1982 the company opened a research centre titled Steyning Research Establishment (SRE) in Steyning, about 10 miles from Worthing. The buildings were designed for audio-related work since they were previously used by SME, the English tonearm designer. The design of B&W loudspeaker cabinets are the work of industrial designer Kenneth Grange since 1975. Morten Villiers Warren became manager of design in the late 1990s when designing the new 800 series of speakers. ProductionBowers & Wilkins has created:
FormationReleased in 2019, the Formation Suite consists of Duo, Wedge, Bar, Bass, Audio and Flex.[23] LocationsThe headquarters for Bowers & Wilkins is in Worthing, West Sussex. References
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