In 1985, he recorded the instrumental album Waiting For Messiah featuring jazz adaptations of the songs of Shalom Hanoch. The album was re-issued in 2009.[3] In 2000 he moved back to New York and established a jazz-folk ensemble playing original compositions and covers of well-known songs. His 2009 album Coincidence was recorded with such well-known jazz musicians as Randy Brecker and Adam Nussbaum.[2]
In 2010, Jakubovič appeared at the Red Sea Jazz Festival alongside his son Daniel on guitar.
Reviewing the 2009 album Coincidence for DownBeat magazine, Shaun Brady said:
The music that Jakubovic has penned for the album also maintains a pop accessibility throughout, with strong grooves and vivid melodies that almost cry out for lyrics to sing along with. (Though the two cuts that do feature vocals are both digressions—" "New York Blues" is just that, a straightforward blues belted by Broadway vet Ula Hedwig, and "Gaudeamus Igitur" is a curious swingvocal arrangement of the old Latin graduation song, too precious by far.) Sixties soul-jazz is the well from which Jakubovic draws his strongest inspiration, the most obvious touchstone being Cannonball Adderley’s Zawinul-era output. The gospel-tinged pining of "Mercy, Mercy, Mercy" is evoked several times, most notably on the wistful "Good Ol’ Days," which spotlights the fluttery suppleness of the leader’s bari playing. "Say What?" is a fairly conscious echo of "Compared to What" while "Bouncing Czech Dobry" is a Lee Morgan-style burner.[5]
