His family on his father’s side were minor gentry seated at Hull Bank House, Kingston upon Hull Yorkshire, now Haworth Hall. One of his forebears married the sister of the poet and MP for Hull, Andrew Marvell.[2]
Early life and education
Haworth-Booth was the youngest son of Alderman Antony Haworth-Booth, chairman of East Sussex County Council, and Eva Holm, only daughter of the Danish stage and film actress Astrid Holm and her husband Holger Holm, ballet dancer and film actor.
Haworth-Booth started his career at the Manchester Art Gallery in 1969 and worked at the Victoria and Albert Museum from 1970 to 2004, becoming Senior Curator of Photographs and played a major role in building up its collection of photography. He has curated many exhibitions, including Photography: An Independent Art (1997),[3] and Things: A Spectrum of Photography, 1850–2001 (2004).[1] The last photography exhibition he curated, with the Galerie nationale du Jeu de Paume in Paris and the National Portrait Gallery, London, was a centenary retrospective of the pioneering photographer Camille Silvy (1834–1910). It was titled Camille Silvy. Photographer of Modern Life 1834–1910 and exhibited at the National Portrait Gallery in 2010.[4] He researched the Silvy Exhibition catalogue at the J. Paul Getty Museum, Los Angeles, as a Museum Scholar in 2008.[5]
Inaugural Visiting Professor of Photography at the University of the Arts London (2002–2009),[6] he acted as a consultant on the BBC television series The Genius of Photography, aired in 2007 and again in 2009.[7]
Since retiring from most photographic activity he has focused on environmental campaigning and writing. He has published poems in national magazines since 1986, won awards and published two books of poems: Wild Track (2005) and Wild is the Wind (with Tessa Traeger’s photographs, 2017).
Personal life
Haworth-Booth lives in North Devon with his wife Rosie (née Miles), whom he married in 1979. Rosemary Miles (her professional name) made many important acquisitions of BAME printmakers for the V&A collection and served as the chair of Autograph, the Association of Black Photographers. They have two daughters.
Haworth-Booth, Mark; Aperture Foundation (1994), Metamorphoses : photography in the electronic age (1st ed.), Aperture Foundation, ISBN978-0-89381-602-5
Arnatt, Keith; Haworth-Booth, Mark; Aperture Foundation (1988), British photography : towards a bigger picture, Aperture, ISBN978-0-89381-340-6
Bernard, Bruce; Haworth-Booth, Mark (25 October 2002), One hundred photographs : a collection by Bruce Bernard, Phaidon Press (published 2002), ISBN978-0-7148-4278-3
Haworth-Booth, Mark; McCullin, Don (1983), Donald McCullin, Collins, ISBN978-0-00-411935-9
Victoria and Albert Museum. Department of Prints and Drawings; Strong, Roy; Haworth-Booth, Mark (1981). Old and modern masters of photography. H.M.S.O. ISBN978-0-11-290362-8.
Victoria & Albert Museum; Haworth-Booth, Mark (1997). Photography, an independent art : photographs from the Victoria and Albert Museum 1839-1996. V & A Publications. ISBN978-1-85177-204-9.
Yoneda, Tomoko; Haworth-Booth, Mark; Iizawa, Kōtarō (2004). Between visible. Nazraeli Press in association with JGS. ISBN978-1-59005-045-3.
Baltz, Lewis; Haworth-Booth, Mark (1986). San Quentin Point (1st ed.). Aperture. ISBN978-0-89381-247-8.
Haworth-Booth, Mark; Victoria and Albert Museum (2004). Things : a spectrum of photography 1850-2001. Jonathan Cape in association with the Victoria & Albert Museum. ISBN978-0-224-07289-2.
Mellor, David; Brandt, Bill; Haworth-Booth, Mark; Philadelphia Museum of Art (1985). Bill Brandt, behind the camera : photographs, 1928-1983. Aperture. ISBN978-0-89381-191-4.
Coe, Brian; Haworth-Booth, Mark; Victoria and Albert Museum (1983). A guide to early photographic processes. Victoria & Albert Museum. ISBN978-0-903696-23-4.
Brandt, Bill (1977). Shadow of light : photographs ([New] / introductions by Cyril Connolly and Mark Haworth-Booth ed.). Gordon Fraser Gallery. ISBN978-0-900406-65-2.
Brandt, Bill; Haworth-Booth, Mark; Bill Brandt Archive (2004). Brandt nudes : a new perspective (Edition limited to 1000 copies of which numbers 1-100 include a platinum print ed.). Bill Brandt Archive. ISBN978-0-9547048-0-3.
Haworth-Booth, Mark, (curator.); Polaroid Corporation (1988), Hitchcock, Barbara (ed.), Selections 4 : the International Polaroid Collection, Polaroid Corporation, ISBN978-0-9616459-2-2{{citation}}: CS1 maint: multiple names: authors list (link)
Arnatt, Keith; Rose, Andrea; Haworth-Booth, Mark; British Council (1992), One foot has not yet reached the next street, The British Council, ISBN978-0-86355-144-4
Moffat, Curtis; Barnes, Martin, 1971-, (editor.); Haworth-Booth, Mark, (writer of supplementary textual content.); Stevenson, James, (writer of supplementary textual content.) (2016), Curtis Moffat : silver society : experimental photography and design, 1923-1935 (First ed.), Göttingen, Germany Steidl London V&A Museum, ISBN978-3-95829-027-3{{citation}}: |author2= has generic name (help)CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Haworth-Booth, Mark; Kauffer, E. McKnight (Edward McKnight), 1890-1954 (1979), E. McKnight Kauffer : a designer and his public, Gordon Fraser Gallery, ISBN978-0-86092-034-2{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Martin, Paul; Haworth-Booth, Mark (1988), A Yarmouth holiday, Nishen, ISBN978-1-85378-104-9
Goldblatt, David; Haworth-Booth, Mark; Danelzik-Brüggemann, Christoph; Stevenson, Michael, 1966- (2005), David Goldblatt : South African : intersections, Prestel, ISBN978-3-7913-3247-5{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Haworth-Booth, Mark; Young, Michael; British Press Photographers' Association (1988), Assignments 2 : the British Press Photographers' Association yearbook, Phaidon Press, ISBN978-0-7148-2563-2
Derges, Susan; Haworth-Booth, Mark; Cotton, Charlotte; Fraenkel Gallery; James Danziger Gallery (1999), Susan Derges : woman thinking river, Fraenkel Gallery ; New York : Danziger Gallery, ISBN978-1-881337-06-5
Haworth-Booth, Mark; Brandt, Bill; Victoria and Albert Museum (1975), The Land : twentieth century landscape photographs, Gordon Fraser Gallery, ISBN978-0-900406-71-3
Phillips, Sandra S; Haworth-Booth, Mark; Squiers, Carol, 1948-; San Francisco Museum of Modern Art (1997), Police pictures : the photograph as evidence, San Francisco Museum of Modern Art, ISBN978-0-8118-1984-8{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Haworth-Booth, Mark; Victoria and Albert Museum (1989), Photography now, Dirk Nishen in association with the Victoria & Albert Museum, ISBN978-1-85378-012-7
Brandt, Bill; Haworth-Booth, Mark (1951), Literary Britain (New ed.), Aperture (published 1986), ISBN978-0-905209-66-1
Goldblatt, David; Stevenson, Michael, (writer of added commentary.); Haworth-Booth, Mark, (contributor.) (2014), Regarding intersections (First revised Steidl ed.), Steidl, ISBN978-3-86930-714-5{{citation}}: |author3= has generic name (help)CS1 maint: multiple names: authors list (link)
Bonnell, Sian; Gooding, Mel; Haworth-Booth, Mark; Ffotogallery; Hirschl Contemporary Art (2004), Sian Bonnell : From an Elsewhere Unknown, Ffotogallery [and] Hirschl Contemporary Art, ISBN978-1-872771-51-9
Haworth-Booth, Mark; Scherf, Jone Elissa; St. Andrews, George; Frans Halsmuseum (2001), Making your dreams come true : young British photography, Hatje Cantz Verlag, ISBN978-3-7757-1119-7
Haworth-Booth, Mark; Weston, Edward, 1886-1958; Hayward Gallery (1977), Edward Weston, Arts Council, ISBN978-0-7287-0126-7{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Pauli, Lori; Haworth-Booth, Mark; Torosian, Michael, 1952-; Baker, Kenneth, 1946-; Burtynsky, Edward, 1955-; National Gallery of Canada (2003), Manufactured landscapes : the photographs of Edward Burtynsky, National Gallery of Canada in association with Yale University Press, ISBN978-0-300-09943-0{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Cohen, Morton N. (Morton Norton); Carroll, Lewis, 1832-1898; Flukinger, Roy, 1947-; Haworth-Booth, Mark; Harry Ransom Humanities Research Center (1998), Reflections in a looking glass : a centennial celebration of Lewis Carroll, photographer (1st ed.), Aperture Foundation, ISBN978-0-89381-796-1{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
Haworth-Booth, Mark; McCauley, Anne; Sterling and Francine Clark Art Institute; Victoria and Albert Museum (1998), The museum & the photograph : collecting photography at the Victoria and Albert Museum, 1853-1900, Sterling and Francine Clark Art Institute, ISBN978-0-931102-40-0
Hockney, David; Hockney, David; Haworth-Booth, Mark; Arts Council of Great Britain; Hayward Gallery (1983), Hockney's photographs, Arts Council of Great Britain, ISBN978-0-7287-0382-7
Hoppé, E. O. (Emil Otto); Haworth-Booth, Mark; Michael Hoppen Photography (Gallery) (2006), Hoppé's London (Limited ed.), Guiding Light, ISBN978-0-9551863-0-1
Bohm, Dorothy; Haworth-Booth, Mark; Bohm-Duchen, Monica; Royal Photographic Society of Great Britain (1998), Walls and windows, Lund Humphries, ISBN978-0-85331-718-0
Bradford, Richard; Haworth-Booth, Mark, (writer of foreword.) (26 October 2015), The importance of elsewhere : Philip Larkin's photographs, Frances Lincoln Limited (published 2015), ISBN978-0-7112-3631-8{{citation}}: CS1 maint: multiple names: authors list (link)
Weinberg, Adam D; Gilman, Sondra; Wiggins, Marianne; Roalf, Peggy; Moore, Marianne, 1887-1972. When I buy pictures; Art Museum of South Texas; Patrick and Beatrice Haggerty Museum of Art; Hood Museum of Art (1998), From the heart : the power of photography, a collector's choice (1st ed.), Art Museum of South Texas ; [New York, N.Y.] : Aperture, ISBN978-0-89381-809-8{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) (Preface)
Baltz, Lewis; Turrell, Julia Brown; Heiferman, Marvin; Des Moines Art Center (1990), Rule without exception, University of New Mexico Press in association with the Des Moines Art Center, ISBN978-0-8263-1269-3 (Essay: San Quentin Point)
Newhall, Beaumont, 1908-1993; Walch, Peter (Peter S.), 1940-; Barrow, Thomas F (1986), Perspectives on photography : essays in honor of Beaumont Newhall (1st ed.), University of New Mexico Press, ISBN978-0-8263-0863-4{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) (Essay: A Connoisseur of the art of photography in the 1850s: The Rev. C. H. Townsend)
Benton, Charlotte; Benton, Tim, 1945-; Wood, Ghislaine; Victoria and Albert Museum (2003), Art deco 1910-1939, V&A (published 2005), ISBN978-1-85177-388-6{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link) (Essay: Photography and the new vision)
Aynsley, Jeremy; Atkinson, Harriet; Design History Society (November 2009), The Banham lectures : essays on designing the future (English ed.), Berg (published 2009), ISBN978-1-84788-302-5 (Essay: Reyner Banham and photography)
Bann, Stephen; Center for Advanced Study in the Visual Arts (U.S.); National Gallery of Art (U.S.) (2011), Art and the early photographic album, National Gallery of Art ; New Haven [Conn.] : Distributed by Yale University Press, ISBN978-0-300-13590-9 (Essay: Camille Silvy : the photography of works of art as record and restoration)
Alpine journal (v. 114, Ernest press (published 2010), 10 March 2010, ISBN978-0-948153-94-5 (Essay: The Return of Vittorio Sella)
Hoozee, Robert; Museum voor Schone Kunsten (Ghent, Belgium) (2007), British vision : observation and imagination in British art, 1750-1950, Mercatorfonds ; Ghent, [Belgium] : Museum voor Schone Kunsten,2007, ISBN978-90-6153-748-9 (Essay Roger Fenton, Double Bridge on the Machno)(Essay Bill Brandt, Young Housewife, Bethnal Green, 1937)
Collections
Haworth-Booth's work is held in the following permanent collection:
(1) A figure representing St Catherine robed and crowned as a queen kneeling affrontée, in the dexter hand a Catherine Wheel, in the sinister hand a Sword supported the point downwards all proper (for BOOTH(ancient)); (2) A stag’s head gules attired or gorged with a collar of roses argent (for HAWORTH).
Escutcheon
Quarterly, 1st and 4th, Argent three Boars’ Heads erect and erased Sable (for BOOTH); 2nd and 3rd, Azure on a Bend between two Stags’ Heads couped Or a Longbow of the Field (for HAWORTH).