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Melodramma
Melodramma (plural: melodrammi) is a 17th-century Italian term for a text to be set as an opera, or the opera itself.[1] In the 19th century, it was used in a much narrower sense by English writers to discuss developments in the early Italian libretto, e.g., Rigoletto and Un ballo in maschera.[2] Characteristic are the influence of French bourgeois drama, female instead of male protagonists, and the practice of opening the action with a chorus.[3] It should not be confused with Melodrama (spelt with a single rather than a double m) in the sense either of Victorian stage melodrama (drama of exaggerated intensity) or of spoken declamation accompanied by background music (in Italian, melologo).[4] References
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