Mirror Piece is an installation of variable dimensions. It is composed of multiple mirrors of different sizes covered with regular or deforming glass plates, presented on wooden panels.[1] This installation is accompanied by 13 pages of text and diagrams.[2][3]
This installation, one of the first ones of the Art & Language collective, replaces the surface of a painting with mirrors. It allows us to discuss, among other things, the theme of representation as well as the place and role of the spectator in the work of art. The mirror, being a surface that reflects light without its own image, the artists will say of this gesture:
The interest in mirrors resided in the fact that the mirror produced the "perfectly transparent" image... but this does not mean that you cannot be aware of the surface of the mirror itself, however difficult that is (as Ian Burn pointed out).
The mirror being in the place of what should be a painting, the spectator sees himself looking at a work of art[13] and the recent practice of selfies has greatly contributed to the popularity of Mirror Piece.[14]
^Reality (Dark) Frangments (Light) (in French and English). Montsoreau: Château de Montsoreau. 2018. p. 21. ISBN9782955791721.
^Peynot, Jean-Philippe (January 2017). "Art & Language empêcheurs de tourner en rond". Art Press (in French and English): 34. ISSN0245-5676.
^Bailey, Robert (19 May 2016). Art & Language International: Conceptual Art between Art Worlds. Duke University Press. ISBN978-0-8223-7412-1.
^Silverman van Coenegrachts, Jill; Mengham, Rod; Méaille, Philippe (2015). Art & Language - Made in Zurich (in French). Paris: Editions Bernard Jordan. p. 86. ISBN978-3-00-047269-5.
^Gonçalves Cepeda, Rui (20 May 2011). "Barcelona Gains Art & Language collection". Art Newspaper.