Personification of the United States and its national personification
This article is about the national personification of the United States federal government. For its comic book adaptation, see Uncle Sam (comics). For other uses, see Uncle Sam (disambiguation).
J. M. Flagg's 1917 poster was based on the original British Lord Kitchener poster of three years earlier. It was used to recruit soldiers for both World War I and World War II into the US Army. Flagg used a modified version of his own face for Uncle Sam,[1] and veteran Walter Botts provided the pose.[2]
While the figure of Uncle Sam specifically represents the government, the female figure of Columbia represents the United States as a nation. An archaic character, Brother Jonathan, was known to represent the American populace.
Earlier personifications
Columbia, a female personification of the US, by American illustrator Paul Stahr
The earliest known personification of the United States was as a woman named Columbia, who first appeared in 1738 (pre-US) and sometimes was associated with another female personification, Lady Liberty.
Uncle Sam finally appeared after the War of 1812.[9]Columbia appeared with either Brother Jonathan or Uncle Sam, but her use declined as a national person in favor of Liberty, and she was effectively abandoned once she became the mascot of Columbia Pictures in the 1920s.
A March 24, 1810, journal entry by Isaac Mayo (a midshipman in the US Navy) states:
weighed anchor stood down the harbor, passed Sandy Hook, where there are two light-houses, and put to sea, first and the second day out most deadly seasick, oh could I have got onshore in the hight [sic] of it, I swear that uncle Sam, as they call him, would certainly forever have lost the services of at least one sailor.[10]
The precise origin of the Uncle Sam character is unclear, but a popular legend is that the name "Uncle Sam" was derived from Samuel Wilson, a meatpacker from Troy, New York, who supplied rations for American soldiers during the War of 1812. There was a requirement at the time for contractors to stamp their name and where the rations came from onto the food they were sending. Wilson's packages were labeled "E.A.—U.S." When someone asked what that stood for, a co-worker jokingly said, "Elbert Anderson [the contractor] and Uncle Sam," referring to Wilson, though the U.S. actually stood for "United States".[12]
Doubts have been raised as to the authenticity of this story, as the claim did not appear in print until 1842.[13] Additionally, the earliest known mention definitely referring to the metaphorical Uncle Sam is from 1810, predating Wilson's contract with the government.[10]
In 1835, Brother Jonathan made a reference to Uncle Sam, implying that they symbolized different things: Brother Jonathan was the country itself, while Uncle Sam was the government and its power.[14]
By the 1850s, the names Brother Jonathan and Uncle Sam were being used nearly interchangeably, to the point that images of what had previously been called "Brother Jonathan" were being called "Uncle Sam". Similarly, the appearance of both personifications varied wildly. For example, one depiction of Uncle Sam in 1860 showed him looking like Benjamin Franklin,[16] while a contemporaneous depiction of Brother Jonathan[17] looks more like the modern version of Uncle Sam, though without a goatee.
Uncle Sam taking the lead in cutting up China in J. S. Pughe's cartoon (Puck magazine, August 23, 1899)
When we meet him in politics we call him Uncle Sam; when we meet him in society we call him Brother Jonathan. Here of late Uncle Sam aliasBrother Jonathan has been doing a powerful lot of complaining, hardly doing anything else. [sic][18]
The "wily Yankee" was a stock character in mid-19th century American regional theater. His hat and striped pants were adopted for Uncle Sam.[19]
Uncle Sam did not get a standard appearance, even with the effective abandonment of Brother Jonathan near the end of the American Civil War, until the well-known recruitment image of Uncle Sam was first created by James Montgomery Flagg during World War I. The image was inspired by a British recruitment poster showing Lord Kitchener in a similar pose.[citation needed] It is this image more than any other that has influenced the modern appearance of Uncle Sam: an elderly white man with white hair and a goatee, wearing a white top hat with white stars on a blue band, a blue tail coat, and red-and-white-striped trousers.
Poster by the United States Fuel Administration during World War One: "Uncle Sam needs that extra shovelful"
Flagg's depiction of Uncle Sam was shown publicly for the first time, according to some, on the cover of the magazine Leslie's Weekly on July 6, 1916, with the caption "What Are You Doing for Preparedness?"[1][20] More than four million copies of this image were printed between 1917 and 1918. Flagg's image was also used extensively during World War II, during which the US was codenamed "Samland" by the German intelligence agency Abwehr.[21] The term was central in the song "The Yankee Doodle Boy", which was featured in 1942 in the musical Yankee Doodle Dandy.
There are two memorials to Uncle Sam, both of which commemorate the life of Samuel Wilson: the Uncle Sam Memorial Statue in Arlington, Massachusetts, his birthplace; and a memorial near his long-term residence in Riverfront Park, Troy, New York. Wilson's boyhood home can still be visited in Mason, New Hampshire. Samuel Wilson died on July 31, 1854, aged 87, and is buried in Oakwood Cemetery, Troy, New York.
In 1989, "Uncle Sam Day" became official. A Congressional joint resolution[23] designated September 13, 1989, as "Uncle Sam Day", the birthday of Samuel Wilson. In 2015, the family history company MyHeritage researched Uncle Sam's family tree and claims to have tracked down his living relatives.[24][25]
^Terry Allan Hicks (2006). Uncle Sam. Marshall Cavendish 2006, 40 pages. p. 9. ISBN978-0761421375. Archived from the original on August 14, 2021. Retrieved August 1, 2015.
^pp. 40–41 of Albert Matthews, "Uncle Sam". Proceedings of the American Antiquarian Society, v.19, 1908. pp. 21–65. Google BooksArchived October 3, 2015, at the Wayback Machine
^Morgan, Winifred (1988). An American Icon: Brother Jonathan and American Identity. Newark, New Jersey: University of Delaware Press. p. 143. ISBN0-87413-307-6.
^Kayorie, James Stephen Merritt (2019). "John Neal (1793–1876)". In Baumgartner, Jody C. (ed.). American Political Humor: Masters of Satire and Their Impact on U.S. Policy and Culture. Santa Barbara, California: ABC-CLIO. p. 88. ISBN978-1-4408-5486-6.
^"Uncle Sam". Encyclopædia Britannica Online. Archived from the original on January 20, 2013. Retrieved June 9, 2012.
^Wyandott Herald, Kansas City, August 17, 1882, p. 2
^Matthews, Albert (1908). "Uncle Sam". Proceedings of the American Antiquarian Society, Volume 19. Archived from the original on October 3, 2015. Retrieved July 2, 2015.
^Morgan, Winifred (1988). An American icon: Brother Jonathan and American identity. University of Delaware Press. pg. 81.
^An appearance echoed in Harper's Weekly, June 3, 1865 "Checkmate" political cartoon (Morgan, Winifred (1988) An American icon: Brother Jonathan and American identity University of Delaware Press pg 95)
^On page 32 of the January 11, 1862, edition Harper's Weekly.
^December 7, 1893 "A Bit of Advice" The Lutheran Witness he pg 100
Palczewski, Catherine H. "The male Madonna and the feminine Uncle Sam: Visual argument, icons, and ideographs in 1909 anti-woman suffrage postcards." Quarterly Journal of Speech 91.4 (2005): 365-394. online[dead link]
Wilde, Lukas RA, and Shane Denson. "Historicizing and Theorizing Pre-Narrative Figures—Who is Uncle Sam?." Narrative 30.2 (2022): 152-168. online
A collection of reviews of the book "Who Was Uncle Sam" by Jean-Pierre and Cecile Moreaux.
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